Splits from your stage video.
Shot timers like the CED7000 give you splits during practice — but at matches you can't carry one. Head-mounted cameras capture audio that contains all the shot information. Splitsmith extracts it and turns it into actionable training data: per-shot times, a CSV of splits, and an FCPXML timeline with frame-aligned markers you can pop open in Final Cut Pro and review on M / Shift+M.
Pipeline
Ingest
Drop a folder of head-cam clips. The engine auto-matches them to stages by file timestamp.
Beep
Auto-snap to the start beep on each stage. Low-confidence detections land in a review queue.
Audit
Waveform + per-shot markers from a 3-voter ensemble. Click a marker to inspect votes. Drag to fine-tune.
Export
Per-stage or whole-match FCPXML. Open in Final Cut Pro, navigate with M / Shift+M.
What goes in. What comes out.
Raw match material
.MP4Head-mounted cam footage (e.g. Insta360 Go 3S).JSONStage timing data from SSI Scoreboard
Reviewable training data
_trimmed.mp4Lossless cut around the start beep_splits.csvPer-shot splits — the editable source of truth.fcpxmlFinal Cut Pro timeline with frame-aligned markers_report.txtAnomaly report — overshoots, echoes, low confidence